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Creating a 1981 Vintage Aesthetic for "Casey Makes a Mixtape"

Updated: 10 hours ago

Rewinding to 1981: How Casey Makes a Mixtape Nailed an ‘80s Look


Director Blake Calhoun didn’t just want Casey Makes a Mixtape to be set in the 1980s—he wanted it to look and feel like it was made in 1981. Every detail, from the furniture to the film grain, was designed to make audiences wonder if they’d stumbled upon a lost VHS gem from the Reagan era.


To sell the illusion, Calhoun and his team focused on three core elements:


  • Period art direction & props — Vintage furniture, classic cars, and an authentic 1981 jambox (from eBay) 

  • Wardrobe & hair — Thrift store treasure hunts, replica vintage clothes, and plenty of “Farrah Fawcett” Google searches

  • Color grading & film look — Achieved through FilmConvert Nitrate, CineMatch, and meticulous post-production work


In this post we're going to focus on the color grading & film look.


The film was primarily shot on a RED Komodo in 6K RAW, but additional footage came from a Sony a7S III, Blackmagic Pocket 4K, DJI drone and iPhone 15 Pro Max. These were used for creative shots, pickups, and cost-saving second-unit work.


Thanks to FilmConvert CineMatch and Nitrate, all footage—regardless of camera—could be seamlessly used together in post.


Casey Makes a Mixtape REC 709 image
Basic Rec 709 look
Casey Makes a Mixtape color graded image
Color graded with FilmConvert Nitrate

Rather than round-tripping into DaVinci Resolve, Calhoun’s team handled the entire color workflow inside Adobe Premiere Pro, using:


  • Lumetri Color for balancing

  • Custom LUTs for creative direction

  • FilmConvert Nitrate for film stock emulation and grain


After Effects was also used for VFX cleanup, motion tracking, and rotoscoping—over 100 invisible effects shots were used to remove modern vehicles, signage, and anything that broke the 1980s illusion.


The first step in the color work was matching all cameras through CineMatch, converting everything into RED Log3G10 to align with the Komodo’s native gamma curve (which covered about 95% of the film).


From there, FilmConvert Nitrate did the heavy lifting for grading:


  • Kodak 5207 film stock emulation

  • Super 35 film grain

  • Halation glow around highlights for that unmistakable analog feel


Casey Makes a Mixtape REC 709 image
Basic Rec 709 Look
Casey Makes a Mixtape color graded image
Color Graded with Halation using FilmConvert Nitrate

Should note too that the final image was further shaped by shooting with Meike Cine prime lenses—known for their slightly vintage rendering—and a Black Satin filter that softened skin tones and bloomed highlights just enough to whisper “1981.”


A Love Letter to the Pre-Digital Age


With its heartfelt story, vintage vibe and analog aesthetic, Casey Makes a Mixtape feels like a 1980s-era teen movie rediscovered for today’s audiences.


The film is now streaming on Amazon, Apple TV, Fandango at Home, YouTube Movies and Google Play, and it stands as proof that digital cameras can make magic—especially when guided by filmmakers with a love for celluloid cinema.


And direct links for each VOD platform are below:



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